Disillusioned by the end of the war in Afghanistan, a group of disgraced, war torn ex-CIA operators set out to Tehran to take down a life changing score.

Snowy Ball says: Guy Moshe’s *Hotel Tehran* stumbles from the outset, a thriller that never quite ignites. The premise, while offering a glimpse of potential, is utterly betrayed by a plot that feels both convoluted and uninspired. Neeson, Chatham, and Welliver, usually reliable presences, struggle to elevate characters so thinly sketched they border on forgettable. Their collective chemistry, often a highlight in similar action fare, is noticeably absent here, leaving interactions feeling flat. The film’s pacing, rather than building tension, simply meanders through its ill-conceived narrative. Despite the promise of high-stakes espionage, *Hotel Tehran* delivers very little in the way of genuine entertainment. It’s a frustrating watch, proving that even a strong cast can’t salvage a fundamentally flawed script. The journey of these ex-CIA operators ultimately leads to a dead end for the audience.